![]() ![]() RIGHTS IN THE DIGITAL (ONLINE, WEB, FAST COPY) WORLDįirst-sale doctrine meets digital world of rentals and licensing Clearing rights for books, scripts, poems, screenplays Clearing permissions (permissions and releases) Rights and royalties, issues about (and what happens to works after authors die)Īgency model and wholesale model for selling ebooks to libraries (and what authors earn from digital lending to libraries)Ĭlearing rights and finding rightsholders (licensing organizations and rights clearinghouses) ![]() Rights and contracts for academic authors (how not to give up all rights to academic journals) Piracy and counterfeit books (large-scale plagiarism)ĭMCA Takedown Notices, Digital Millennium Copyright Act, and Related IssuesĬONTRACTS, RIGHTS, LICENSING, AND PERMISSIONSĬontract terms for books (including reversion of rights and indemnity clauses and moral clauses)īooks about contracts, copyright, fair use, clearing permissions, and other issues important to writers, editors, and other "creatives"Īuthors' rights (and publishers' rights grabs)Īrtists' looming battle with recording industry on copyright termination rights Plagiarism detection and plagiarism checkers How patents and trademarks differ from copyright Names, titles, domain names, and trademarks ADOBE FLASH JANUARY JAN.SOTTEK THEVERGE PLUSCopyright issues in the digital world, plus legal guides The CASE Act passes: small claims dispute resolution Important copyright issues, FAQs, and explanations Who owns the copyright? What does copyright protect? Termination of rights (a second bite of the apple for the author) assigning rights in perpetuity to publisher) How long does copyright last? When do works enter the public domain? How, why, and when to register copyright ![]() See also "Controlled digital lending" below.ĬOPYRIGHT, PUBLIC DOMAIN, AND WORK FOR HIRE Important fair use and copyright court casesĬodes of Best Practices and Fair Use Guidelines Organizations focused on intellectual property issuesįair use: A primer, followed by links to good explanations and examples Part 2 (7-12-16)China has carved out its own unique distribution model that is hardly friendly to foreign content producers, but at the same time its box office and related revenues are just too big to ignore.ĭiscussion groups and listservs on copyright and intellectual property ADOBE FLASH JANUARY JAN.SOTTEK THEVERGE LICENSE
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